From Novel to Film: White Noise, a Literary Transposition
- Autores
- Hazrun, Priscila; López Ceballos, Andrea
- Año de publicación
- 2025
- Idioma
- inglés
- Tipo de recurso
- tesis de grado
- Estado
- versión publicada
- Colaborador/a o director/a de tesis
- Mora, Marianela
- Descripción
- Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
The phenomenon of film adaptation has a rich history with countless novels, plays, and short stories being translated onto the screen. From classic literary masterpieces to contemporary bestsellers, these adaptations have shaped our collective cultural imagination and offered new ways of engaging with familiar narratives. The process of transforming written narratives into visual experiences not only presents exciting creative possibilities but also raises intriguing questions about the nature of storytelling, the interplay between different artistic mediums, and the impact of adaptation on our perception and understanding of literary works. An adapted film tries to get a balance between a close representation of the source work of art and the creative process itself, in which sound and image play a key role in conveying the main themes of the story. Filmmakers make use of a myriad of strategies like visual metaphors, symbolism, colors, music, and sound effects among others to represent the central ideas engaging the audience in a multi-sensorial experience. Audiovisual elements assume a fundamental role, functioning as more than mere aesthetic accessories; they serve as critical conduits for the story-telling. Visual metaphors and symbolism operate as representations of abstract concepts or emotional states. Similarly, the strategic use of color palettes further highlights the film’s central themes, provoking emotional responses and reinforcing the narrative structure. Likewise, sound design amplifies dramatic tension, delineates character development, and establishes a distinct tonal atmosphere. These techniques enable filmmakers to transcend the representational constraints of literary prose, transforming the source material into a dynamic and immersive cinematic experience.
Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina. - Materia
-
Literatura
Cultura
Mass Media
Film
White Noise - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- Repositorio
.jpg)
- Institución
- Universidad Nacional de Córdoba
- OAI Identificador
- oai:rdu.unc.edu.ar:11086/562053
Ver los metadatos del registro completo
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From Novel to Film: White Noise, a Literary TranspositionHazrun, PriscilaLópez Ceballos, AndreaLiteraturaCulturaMass MediaFilmWhite NoiseFil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.The phenomenon of film adaptation has a rich history with countless novels, plays, and short stories being translated onto the screen. From classic literary masterpieces to contemporary bestsellers, these adaptations have shaped our collective cultural imagination and offered new ways of engaging with familiar narratives. The process of transforming written narratives into visual experiences not only presents exciting creative possibilities but also raises intriguing questions about the nature of storytelling, the interplay between different artistic mediums, and the impact of adaptation on our perception and understanding of literary works. An adapted film tries to get a balance between a close representation of the source work of art and the creative process itself, in which sound and image play a key role in conveying the main themes of the story. Filmmakers make use of a myriad of strategies like visual metaphors, symbolism, colors, music, and sound effects among others to represent the central ideas engaging the audience in a multi-sensorial experience. Audiovisual elements assume a fundamental role, functioning as more than mere aesthetic accessories; they serve as critical conduits for the story-telling. Visual metaphors and symbolism operate as representations of abstract concepts or emotional states. Similarly, the strategic use of color palettes further highlights the film’s central themes, provoking emotional responses and reinforcing the narrative structure. Likewise, sound design amplifies dramatic tension, delineates character development, and establishes a distinct tonal atmosphere. These techniques enable filmmakers to transcend the representational constraints of literary prose, transforming the source material into a dynamic and immersive cinematic experience.Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.Mora, Marianela2025info:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_7a1finfo:ar-repo/semantics/tesisDeGradoapplication/pdfhttp://hdl.handle.net/11086/562053enginfo:eu-repo/semantics/openAccessreponame:Repositorio Digital Universitario (UNC)instname:Universidad Nacional de Córdobainstacron:UNC2026-10-01T10:16:14Zoai:rdu.unc.edu.ar:11086/562053Institucionalhttps://rdu.unc.edu.ar/Universidad públicaNo correspondehttp://rdu.unc.edu.ar/oai/snrdoca.unc@gmail.comArgentinaNo correspondeNo correspondeNo correspondeopendoar:25722026-10-01 10:40:26.132Repositorio Digital Universitario (UNC) - Universidad Nacional de Córdobatrue |
| dc.title.none.fl_str_mv |
From Novel to Film: White Noise, a Literary Transposition |
| title |
From Novel to Film: White Noise, a Literary Transposition |
| spellingShingle |
From Novel to Film: White Noise, a Literary Transposition Hazrun, Priscila Literatura Cultura Mass Media Film White Noise |
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From Novel to Film: White Noise, a Literary Transposition |
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From Novel to Film: White Noise, a Literary Transposition |
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From Novel to Film: White Noise, a Literary Transposition |
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From Novel to Film: White Noise, a Literary Transposition |
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From Novel to Film: White Noise, a Literary Transposition |
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Hazrun, Priscila López Ceballos, Andrea |
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Hazrun, Priscila |
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Hazrun, Priscila López Ceballos, Andrea |
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author |
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López Ceballos, Andrea |
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author |
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Mora, Marianela |
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Literatura Cultura Mass Media Film White Noise |
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Literatura Cultura Mass Media Film White Noise |
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Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina. Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina. The phenomenon of film adaptation has a rich history with countless novels, plays, and short stories being translated onto the screen. From classic literary masterpieces to contemporary bestsellers, these adaptations have shaped our collective cultural imagination and offered new ways of engaging with familiar narratives. The process of transforming written narratives into visual experiences not only presents exciting creative possibilities but also raises intriguing questions about the nature of storytelling, the interplay between different artistic mediums, and the impact of adaptation on our perception and understanding of literary works. An adapted film tries to get a balance between a close representation of the source work of art and the creative process itself, in which sound and image play a key role in conveying the main themes of the story. Filmmakers make use of a myriad of strategies like visual metaphors, symbolism, colors, music, and sound effects among others to represent the central ideas engaging the audience in a multi-sensorial experience. Audiovisual elements assume a fundamental role, functioning as more than mere aesthetic accessories; they serve as critical conduits for the story-telling. Visual metaphors and symbolism operate as representations of abstract concepts or emotional states. Similarly, the strategic use of color palettes further highlights the film’s central themes, provoking emotional responses and reinforcing the narrative structure. Likewise, sound design amplifies dramatic tension, delineates character development, and establishes a distinct tonal atmosphere. These techniques enable filmmakers to transcend the representational constraints of literary prose, transforming the source material into a dynamic and immersive cinematic experience. Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina. Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina. |
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Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina. |
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2025 |
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