From Novel to Film: White Noise, a Literary Transposition

Autores
Hazrun, Priscila; López Ceballos, Andrea
Año de publicación
2025
Idioma
inglés
Tipo de recurso
tesis de grado
Estado
versión publicada
Colaborador/a o director/a de tesis
Mora, Marianela
Descripción
Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
The phenomenon of film adaptation has a rich history with countless novels, plays, and short stories being translated onto the screen. From classic literary masterpieces to contemporary bestsellers, these adaptations have shaped our collective cultural imagination and offered new ways of engaging with familiar narratives. The process of transforming written narratives into visual experiences not only presents exciting creative possibilities but also raises intriguing questions about the nature of storytelling, the interplay between different artistic mediums, and the impact of adaptation on our perception and understanding of literary works. An adapted film tries to get a balance between a close representation of the source work of art and the creative process itself, in which sound and image play a key role in conveying the main themes of the story. Filmmakers make use of a myriad of strategies like visual metaphors, symbolism, colors, music, and sound effects among others to represent the central ideas engaging the audience in a multi-sensorial experience. Audiovisual elements assume a fundamental role, functioning as more than mere aesthetic accessories; they serve as critical conduits for the story-telling. Visual metaphors and symbolism operate as representations of abstract concepts or emotional states. Similarly, the strategic use of color palettes further highlights the film’s central themes, provoking emotional responses and reinforcing the narrative structure. Likewise, sound design amplifies dramatic tension, delineates character development, and establishes a distinct tonal atmosphere. These techniques enable filmmakers to transcend the representational constraints of literary prose, transforming the source material into a dynamic and immersive cinematic experience.
Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
Materia
Literatura
Cultura
Mass Media
Film
White Noise
Nivel de accesibilidad
acceso abierto
Condiciones de uso
Repositorio
Repositorio Digital Universitario (UNC)
Institución
Universidad Nacional de Córdoba
OAI Identificador
oai:rdu.unc.edu.ar:11086/562053

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oai_identifier_str oai:rdu.unc.edu.ar:11086/562053
network_acronym_str RDUUNC
repository_id_str 2572
network_name_str Repositorio Digital Universitario (UNC)
spelling From Novel to Film: White Noise, a Literary TranspositionHazrun, PriscilaLópez Ceballos, AndreaLiteraturaCulturaMass MediaFilmWhite NoiseFil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.The phenomenon of film adaptation has a rich history with countless novels, plays, and short stories being translated onto the screen. From classic literary masterpieces to contemporary bestsellers, these adaptations have shaped our collective cultural imagination and offered new ways of engaging with familiar narratives. The process of transforming written narratives into visual experiences not only presents exciting creative possibilities but also raises intriguing questions about the nature of storytelling, the interplay between different artistic mediums, and the impact of adaptation on our perception and understanding of literary works. An adapted film tries to get a balance between a close representation of the source work of art and the creative process itself, in which sound and image play a key role in conveying the main themes of the story. Filmmakers make use of a myriad of strategies like visual metaphors, symbolism, colors, music, and sound effects among others to represent the central ideas engaging the audience in a multi-sensorial experience. Audiovisual elements assume a fundamental role, functioning as more than mere aesthetic accessories; they serve as critical conduits for the story-telling. Visual metaphors and symbolism operate as representations of abstract concepts or emotional states. Similarly, the strategic use of color palettes further highlights the film’s central themes, provoking emotional responses and reinforcing the narrative structure. Likewise, sound design amplifies dramatic tension, delineates character development, and establishes a distinct tonal atmosphere. These techniques enable filmmakers to transcend the representational constraints of literary prose, transforming the source material into a dynamic and immersive cinematic experience.Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.Mora, Marianela2025info:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_7a1finfo:ar-repo/semantics/tesisDeGradoapplication/pdfhttp://hdl.handle.net/11086/562053enginfo:eu-repo/semantics/openAccessreponame:Repositorio Digital Universitario (UNC)instname:Universidad Nacional de Córdobainstacron:UNC2026-10-01T10:16:14Zoai:rdu.unc.edu.ar:11086/562053Institucionalhttps://rdu.unc.edu.ar/Universidad públicaNo correspondehttp://rdu.unc.edu.ar/oai/snrdoca.unc@gmail.comArgentinaNo correspondeNo correspondeNo correspondeopendoar:25722026-10-01 10:40:26.132Repositorio Digital Universitario (UNC) - Universidad Nacional de Córdobatrue
dc.title.none.fl_str_mv From Novel to Film: White Noise, a Literary Transposition
title From Novel to Film: White Noise, a Literary Transposition
spellingShingle From Novel to Film: White Noise, a Literary Transposition
Hazrun, Priscila
Literatura
Cultura
Mass Media
Film
White Noise
title_short From Novel to Film: White Noise, a Literary Transposition
title_full From Novel to Film: White Noise, a Literary Transposition
title_fullStr From Novel to Film: White Noise, a Literary Transposition
title_full_unstemmed From Novel to Film: White Noise, a Literary Transposition
title_sort From Novel to Film: White Noise, a Literary Transposition
dc.creator.none.fl_str_mv Hazrun, Priscila
López Ceballos, Andrea
author Hazrun, Priscila
author_facet Hazrun, Priscila
López Ceballos, Andrea
author_role author
author2 López Ceballos, Andrea
author2_role author
dc.contributor.none.fl_str_mv Mora, Marianela
dc.subject.none.fl_str_mv Literatura
Cultura
Mass Media
Film
White Noise
topic Literatura
Cultura
Mass Media
Film
White Noise
dc.description.none.fl_txt_mv Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
The phenomenon of film adaptation has a rich history with countless novels, plays, and short stories being translated onto the screen. From classic literary masterpieces to contemporary bestsellers, these adaptations have shaped our collective cultural imagination and offered new ways of engaging with familiar narratives. The process of transforming written narratives into visual experiences not only presents exciting creative possibilities but also raises intriguing questions about the nature of storytelling, the interplay between different artistic mediums, and the impact of adaptation on our perception and understanding of literary works. An adapted film tries to get a balance between a close representation of the source work of art and the creative process itself, in which sound and image play a key role in conveying the main themes of the story. Filmmakers make use of a myriad of strategies like visual metaphors, symbolism, colors, music, and sound effects among others to represent the central ideas engaging the audience in a multi-sensorial experience. Audiovisual elements assume a fundamental role, functioning as more than mere aesthetic accessories; they serve as critical conduits for the story-telling. Visual metaphors and symbolism operate as representations of abstract concepts or emotional states. Similarly, the strategic use of color palettes further highlights the film’s central themes, provoking emotional responses and reinforcing the narrative structure. Likewise, sound design amplifies dramatic tension, delineates character development, and establishes a distinct tonal atmosphere. These techniques enable filmmakers to transcend the representational constraints of literary prose, transforming the source material into a dynamic and immersive cinematic experience.
Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
Fil: López Ceballos, Andrea. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
description Fil: Hazrun, Priscila. Universidad Nacional de Córdoba. Facultad de Lenguas; Argentina.
publishDate 2025
dc.date.none.fl_str_mv 2025
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dc.language.none.fl_str_mv eng
language eng
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