Identification of 17th-18th Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Micro-Invasive Analytical Techniques
- Autores
- Tomasini, Eugenia; Córdova, María de los Milagros; Castro, María Ana; García, Ana Paula; Siracusano, Gabriela Paula
- Año de publicación
- 2025
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- The interdisciplinary study of mural paintings in rural churches of the Viceroyalty of Peru, dating from the 17th and 18th centuries, provides critical insights into the availability, provenance, and application of pigments used by colonial artists. This research focuses on murals from the churches of Marcapata and Canincunca in the Cuzco region. Microsamples from these murals were analyzed using micro-invasive techniques, including optical microscopy, scanning electron microscopy coupled with energy-dispersive spectroscopy (SEM-EDS), and Raman microspectroscopy. The study revealed a preparation layer of gypsum/anhydrite on adobe walls and a simple yet diverse palette of pigments. Red pigments included hematite (Fe₂O₃) and organic carmine dye, while green hues featured copper-based pigments such as antlerite (Cu₃SO₄(OH)₃) and posnjakite (Cu₄SO₄(OH)₆·H₂O), identified here for the first time as a major component in Andean mural paintings. Blue tones were achieved using indigo and smalt, a cobalt-containing glass pigment whose presence is still scarcely documented in Peruvian murals. These findings deepen our understanding of colonial pigment selection, preparation practices, and their deterioration mechanisms, contributing to sustainable conservation strategies. This study highlights the value of interdisciplinary approaches in advancing knowledge of Hispanic-American colonial art and its preservation as a vital component of cultural heritage.
Fil: Tomasini, Eugenia. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET); Argentina
Fil: Córdova, María de los Milagros. Universidad Nacional de Tres de Febrero. Centro de Investigación en Arte, Materia y Cultura (UNTREF-IIAC); Argentina
Fil: Córdova, María de los Milagros. Instituto Nacional de Tecnología Industrial. Dirección Operativa. Gerencia Operativa de Desarrollo Tecnológico e Innovación. Subgerencia Operativa de Áreas De Conocimiento. Dirección Técnica de Materiales avanzados. Departamento de Diseño de Materiales (INTI-GODTeI-SOAC); Argentina
Fil: Castro, María Ana. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Instituto de Química, Física de Materiales, Medio Ambiente y Energía (UBA-Exactas-INQUIMAE); Argentina
Fil: Castro, María Ana. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET-INQUIMAE); Argentina
Fil: García, Ana Laura. Instituto Nacional de Tecnología Industrial. Dirección Operativa. Gerencia Operativa de Desarrollo Tecnológico e Innovación. Subgerencia Operativa de Áreas De Conocimiento. Dirección Técnica de Materiales avanzados. Departamento de Diseño de Materiales (INTI-GODTeI-SOAC); Argentina
Fil: Siracusano, Gabriela Paula. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET); Argentina - Fuente
- ChemPlusChem 2025, e202500298
- Materia
-
Pigmentos
Hematita
Microscopía electrónica de barrido
Restauración
Patrimonio
Perú - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- Del editor: "This is the peer reviewed version of the following article: Tomasini, E., Córdova, M., Castro, M.A., García, A.L. and Siracusano, G. (2025), Identification of 17th–18th-Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Microinvasive Analytical Techniques. ChemPlusChem 2500298. https://doi.org/10.1002/cplu.202500298, which has been published in final form at https://doi.org/10.1002/cplu.202500298. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions. This article may not be enhanced, enriched or otherwise transformed into a derivative work, without express permission from Wiley or by statutory rights under applicable legislation. Copyright notices must not be removed, obscured or modified. The article must be linked to Wiley’s version of record on Wiley Online Library and any embedding, framing or otherwise making available the article or pages thereof by third parties from platforms, services and websites other than Wiley Online Library must be prohibited."
- Repositorio
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- Institución
- Instituto Nacional de Tecnología Industrial
- OAI Identificador
- nuevadc:2025CordovaMilagros_pdf
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Identification of 17th-18th Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Micro-Invasive Analytical TechniquesTomasini, EugeniaCórdova, María de los MilagrosCastro, María AnaGarcía, Ana PaulaSiracusano, Gabriela PaulaPigmentosHematitaMicroscopía electrónica de barridoRestauraciónPatrimonioPerúThe interdisciplinary study of mural paintings in rural churches of the Viceroyalty of Peru, dating from the 17th and 18th centuries, provides critical insights into the availability, provenance, and application of pigments used by colonial artists. This research focuses on murals from the churches of Marcapata and Canincunca in the Cuzco region. Microsamples from these murals were analyzed using micro-invasive techniques, including optical microscopy, scanning electron microscopy coupled with energy-dispersive spectroscopy (SEM-EDS), and Raman microspectroscopy. The study revealed a preparation layer of gypsum/anhydrite on adobe walls and a simple yet diverse palette of pigments. Red pigments included hematite (Fe₂O₃) and organic carmine dye, while green hues featured copper-based pigments such as antlerite (Cu₃SO₄(OH)₃) and posnjakite (Cu₄SO₄(OH)₆·H₂O), identified here for the first time as a major component in Andean mural paintings. Blue tones were achieved using indigo and smalt, a cobalt-containing glass pigment whose presence is still scarcely documented in Peruvian murals. These findings deepen our understanding of colonial pigment selection, preparation practices, and their deterioration mechanisms, contributing to sustainable conservation strategies. This study highlights the value of interdisciplinary approaches in advancing knowledge of Hispanic-American colonial art and its preservation as a vital component of cultural heritage.Fil: Tomasini, Eugenia. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET); ArgentinaFil: Córdova, María de los Milagros. Universidad Nacional de Tres de Febrero. Centro de Investigación en Arte, Materia y Cultura (UNTREF-IIAC); ArgentinaFil: Córdova, María de los Milagros. Instituto Nacional de Tecnología Industrial. Dirección Operativa. Gerencia Operativa de Desarrollo Tecnológico e Innovación. Subgerencia Operativa de Áreas De Conocimiento. Dirección Técnica de Materiales avanzados. Departamento de Diseño de Materiales (INTI-GODTeI-SOAC); ArgentinaFil: Castro, María Ana. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Instituto de Química, Física de Materiales, Medio Ambiente y Energía (UBA-Exactas-INQUIMAE); ArgentinaFil: Castro, María Ana. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET-INQUIMAE); ArgentinaFil: García, Ana Laura. Instituto Nacional de Tecnología Industrial. Dirección Operativa. Gerencia Operativa de Desarrollo Tecnológico e Innovación. Subgerencia Operativa de Áreas De Conocimiento. Dirección Técnica de Materiales avanzados. Departamento de Diseño de Materiales (INTI-GODTeI-SOAC); ArgentinaFil: Siracusano, Gabriela Paula. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET); ArgentinaWiley2025info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdf2025CordovaMilagros.pdfhttps://app.inti.gob.ar/greenstone3/sites/localsite/collect/nuevadc/index/assoc/2025Cord/ovaMilag.dir/doc.pdfChemPlusChem 2025, e202500298reponame:Repositorio Institucional del Instituto Nacional de Tecnología Industrial (INTI)instname:Instituto Nacional de Tecnología Industrialenginfo:eu-repo/semantics/openAccessDel editor: "This is the peer reviewed version of the following article: Tomasini, E., Córdova, M., Castro, M.A., García, A.L. and Siracusano, G. (2025), Identification of 17th–18th-Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Microinvasive Analytical Techniques. ChemPlusChem 2500298. https://doi.org/10.1002/cplu.202500298, which has been published in final form at https://doi.org/10.1002/cplu.202500298. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions. This article may not be enhanced, enriched or otherwise transformed into a derivative work, without express permission from Wiley or by statutory rights under applicable legislation. Copyright notices must not be removed, obscured or modified. The article must be linked to Wiley’s version of record on Wiley Online Library and any embedding, framing or otherwise making available the article or pages thereof by third parties from platforms, services and websites other than Wiley Online Library must be prohibited."openAccess2026-09-24T13:53:53Znuevadc:2025CordovaMilagros_pdfinstacron:INTIInstitucionalhttps://app.inti.gob.ar/greenstone3/biblioOrganismo científico-tecnológicohttps://argentina.gob.ar/intihttps://app.inti.gob.ar/greenstone3/oaiserver?verb=Identifypfalcato@inti.gob.arArgentinaopendoar:2026-09-24 13:53:55.925Repositorio Institucional del Instituto Nacional de Tecnología Industrial (INTI) - Instituto Nacional de Tecnología Industrialfalse |
| dc.title.none.fl_str_mv |
Identification of 17th-18th Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Micro-Invasive Analytical Techniques |
| title |
Identification of 17th-18th Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Micro-Invasive Analytical Techniques |
| spellingShingle |
Identification of 17th-18th Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Micro-Invasive Analytical Techniques Tomasini, Eugenia Pigmentos Hematita Microscopía electrónica de barrido Restauración Patrimonio Perú |
| title_short |
Identification of 17th-18th Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Micro-Invasive Analytical Techniques |
| title_full |
Identification of 17th-18th Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Micro-Invasive Analytical Techniques |
| title_fullStr |
Identification of 17th-18th Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Micro-Invasive Analytical Techniques |
| title_full_unstemmed |
Identification of 17th-18th Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Micro-Invasive Analytical Techniques |
| title_sort |
Identification of 17th-18th Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Micro-Invasive Analytical Techniques |
| dc.creator.none.fl_str_mv |
Tomasini, Eugenia Córdova, María de los Milagros Castro, María Ana García, Ana Paula Siracusano, Gabriela Paula |
| author |
Tomasini, Eugenia |
| author_facet |
Tomasini, Eugenia Córdova, María de los Milagros Castro, María Ana García, Ana Paula Siracusano, Gabriela Paula |
| author_role |
author |
| author2 |
Córdova, María de los Milagros Castro, María Ana García, Ana Paula Siracusano, Gabriela Paula |
| author2_role |
author author author author |
| dc.subject.none.fl_str_mv |
Pigmentos Hematita Microscopía electrónica de barrido Restauración Patrimonio Perú |
| topic |
Pigmentos Hematita Microscopía electrónica de barrido Restauración Patrimonio Perú |
| dc.description.none.fl_txt_mv |
The interdisciplinary study of mural paintings in rural churches of the Viceroyalty of Peru, dating from the 17th and 18th centuries, provides critical insights into the availability, provenance, and application of pigments used by colonial artists. This research focuses on murals from the churches of Marcapata and Canincunca in the Cuzco region. Microsamples from these murals were analyzed using micro-invasive techniques, including optical microscopy, scanning electron microscopy coupled with energy-dispersive spectroscopy (SEM-EDS), and Raman microspectroscopy. The study revealed a preparation layer of gypsum/anhydrite on adobe walls and a simple yet diverse palette of pigments. Red pigments included hematite (Fe₂O₃) and organic carmine dye, while green hues featured copper-based pigments such as antlerite (Cu₃SO₄(OH)₃) and posnjakite (Cu₄SO₄(OH)₆·H₂O), identified here for the first time as a major component in Andean mural paintings. Blue tones were achieved using indigo and smalt, a cobalt-containing glass pigment whose presence is still scarcely documented in Peruvian murals. These findings deepen our understanding of colonial pigment selection, preparation practices, and their deterioration mechanisms, contributing to sustainable conservation strategies. This study highlights the value of interdisciplinary approaches in advancing knowledge of Hispanic-American colonial art and its preservation as a vital component of cultural heritage. Fil: Tomasini, Eugenia. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET); Argentina Fil: Córdova, María de los Milagros. Universidad Nacional de Tres de Febrero. Centro de Investigación en Arte, Materia y Cultura (UNTREF-IIAC); Argentina Fil: Córdova, María de los Milagros. Instituto Nacional de Tecnología Industrial. Dirección Operativa. Gerencia Operativa de Desarrollo Tecnológico e Innovación. Subgerencia Operativa de Áreas De Conocimiento. Dirección Técnica de Materiales avanzados. Departamento de Diseño de Materiales (INTI-GODTeI-SOAC); Argentina Fil: Castro, María Ana. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Instituto de Química, Física de Materiales, Medio Ambiente y Energía (UBA-Exactas-INQUIMAE); Argentina Fil: Castro, María Ana. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET-INQUIMAE); Argentina Fil: García, Ana Laura. Instituto Nacional de Tecnología Industrial. Dirección Operativa. Gerencia Operativa de Desarrollo Tecnológico e Innovación. Subgerencia Operativa de Áreas De Conocimiento. Dirección Técnica de Materiales avanzados. Departamento de Diseño de Materiales (INTI-GODTeI-SOAC); Argentina Fil: Siracusano, Gabriela Paula. Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET); Argentina |
| description |
The interdisciplinary study of mural paintings in rural churches of the Viceroyalty of Peru, dating from the 17th and 18th centuries, provides critical insights into the availability, provenance, and application of pigments used by colonial artists. This research focuses on murals from the churches of Marcapata and Canincunca in the Cuzco region. Microsamples from these murals were analyzed using micro-invasive techniques, including optical microscopy, scanning electron microscopy coupled with energy-dispersive spectroscopy (SEM-EDS), and Raman microspectroscopy. The study revealed a preparation layer of gypsum/anhydrite on adobe walls and a simple yet diverse palette of pigments. Red pigments included hematite (Fe₂O₃) and organic carmine dye, while green hues featured copper-based pigments such as antlerite (Cu₃SO₄(OH)₃) and posnjakite (Cu₄SO₄(OH)₆·H₂O), identified here for the first time as a major component in Andean mural paintings. Blue tones were achieved using indigo and smalt, a cobalt-containing glass pigment whose presence is still scarcely documented in Peruvian murals. These findings deepen our understanding of colonial pigment selection, preparation practices, and their deterioration mechanisms, contributing to sustainable conservation strategies. This study highlights the value of interdisciplinary approaches in advancing knowledge of Hispanic-American colonial art and its preservation as a vital component of cultural heritage. |
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2025 |
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eng |
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eng |
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info:eu-repo/semantics/openAccess Del editor: "This is the peer reviewed version of the following article: Tomasini, E., Córdova, M., Castro, M.A., García, A.L. and Siracusano, G. (2025), Identification of 17th–18th-Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Microinvasive Analytical Techniques. ChemPlusChem 2500298. https://doi.org/10.1002/cplu.202500298, which has been published in final form at https://doi.org/10.1002/cplu.202500298. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions. This article may not be enhanced, enriched or otherwise transformed into a derivative work, without express permission from Wiley or by statutory rights under applicable legislation. Copyright notices must not be removed, obscured or modified. The article must be linked to Wiley’s version of record on Wiley Online Library and any embedding, framing or otherwise making available the article or pages thereof by third parties from platforms, services and websites other than Wiley Online Library must be prohibited." openAccess |
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Del editor: "This is the peer reviewed version of the following article: Tomasini, E., Córdova, M., Castro, M.A., García, A.L. and Siracusano, G. (2025), Identification of 17th–18th-Century Pictorial Materials in Church Mural Paintings in the Cuzco Area (Perú) Using Microinvasive Analytical Techniques. ChemPlusChem 2500298. https://doi.org/10.1002/cplu.202500298, which has been published in final form at https://doi.org/10.1002/cplu.202500298. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Use of Self-Archived Versions. This article may not be enhanced, enriched or otherwise transformed into a derivative work, without express permission from Wiley or by statutory rights under applicable legislation. Copyright notices must not be removed, obscured or modified. The article must be linked to Wiley’s version of record on Wiley Online Library and any embedding, framing or otherwise making available the article or pages thereof by third parties from platforms, services and websites other than Wiley Online Library must be prohibited." openAccess |
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